Creon and Haemon Essay

How would you contain the confrontation between Creon and Haemon in order to execute your chosen impact for your sense of hearing? The scene of confrontation between Creon and Haemon comes when Creon has sentenced Antigone, emerging bride of Haemon, to be shut up in the cave. I would want to testify a contrast between the characters with costume, so that the auditory sense would get a visual representation of their emotions. I would dress Creon in an extravagant exit silken robe, with gold trimmings. This would foreground his status as King, and also the cerise could signify a bloodthirsty attitude, as Creon is revelling in Antigones fate.Contrastingly, Haemon would be wearing a simple black cotton robe, without each trimmings. This would leaven that he doesnt care for superficial extravagance, and black is also a colour of mourning this would symbolise Haemons feelings towards Antigones fate. In the first mistreat of this scene, Creon greets Haemon pleasantly. I would d irect Creon to grip Haemons right reach with both(prenominal) of his birth go crosswayss, in a fri terminately, pleading handshake this would intend affection for Haemon, which is what Creon wishes to express at this point.He would maintain eye contact and puzzle a bun in the oven with legs shoulder-width apart He would speak in a soft vestige, with a slow pace, medium pitch and a relatively low flashiness, again to give the impression of warmth. In the business sector we are always comrades, and my pick out for you is unshaken, I would direct the actor playing Creon to accent the terminology always and unshaken, stressing these superlatives, in order to exaggerate the positive feelings, diplomatically Haemons response would be in kind, reciprocating the respect. He would accept the handshake, and form hold eye contact. His vocal qualities would be as those of Haemon.He would check out I know I am your son, Father, stressing the term Father to certify respect an d also family love. During this ex falsify, they would both be very close physically, to military maneuver that they are, at this point, still emotionally close. The lighting would be a chaff wash from above over the stage, of medium intensity neutral. Creon would be adjoining to a podium, centre-stage-left. Haemon would be centre stage, and the Chorus would be arranged in a semi-circle more or less them. During Creons following speech, I would want the earshot to witness a change in Creons start.The first noticeable change in attitude would be when he says founding fathert be taken in/ Boy. Dont let any woman ensnare you. His tone would become harsher, and solicitin almost as if speech production in a whisper. He would also grasp Haemon on the word Boy, to show the audience that he wants to instil trustworthy prejudiced values in Haemon, as it is a subject he feels passionately about. Furthermore, he would almost spit the work woman and emphasise the word ensnare to present acidity to the audience. He would say Dont be taken in, Boy without changing his tone or pace, simply increasing intensity, to show the audience how sincere he is.He would widen in this manner, speaking in harsh tones. The next change in Creons demeanour would come when he says I volition do it. And she must die. Here, he would revert to speaking with authority, assertively. He would stress the modal verbs, will and must to show that he is totally fixed upon the idea, and is unwavering. This would show the audience his stubbornness. At this point, low-intensity, subtle vehement uplighting would have lento faded in, to cast shadows upon Creons face to make him have the appearance _or_ semblance more imposing and venomous. It would be barely noticeable by the audience at this stage, as it would be slowly and subtly introduced.Creon would also step back and stand straight at this point, and pause after the line, to highlight its significance to the audience. He would have his hands calmly by his nerves. Creon would continue to rant, his volume increasing, and the red uplighting congruous stronger, as the straw wash slowly faded and his hand gestures becoming increasingly evident and expansive. On the line Anarchy, disobedience, he would be banging his fists on his podium in anger, to show the audience how passionately he feels about the subject. He would be most shouting at this point, and Haemon would recoil slightly, in fear and surprise at Creons outburst.Creon would next shift toward the end of his speech, and I would want my audience to see him bring back subtle persuasion, using the fact that he is Haemons father to his advantage Let it be by a mans hand, eh son? / Not by a confederation of women . I would want him to go back to speaking in lower tones, almost at a stage-whisper level, as he wants to instil his own sexism, and apparent paranoia regarding women, into Haemon yet again. This repetition would show the audience secure how sexi st Creon is. I would therefore have the actor emphasise the words man son, conspiracy and women to show this, and put one arm around Haemon.The red uplighting would also dim at this point, the straw wash becoming more prominent this would visually represent the change in tone to the audience. Following the Chorus somewhat neutral response, Haemon would reply by at first speaking pleasantries Its not for me to say you are persecute is sooner self-deprecating and is complimentary to Creon. Haemon would therefore speak it in a soft tone, and would physically lower himself by bending knees and back slightly. His volume would be medium at this point, and he would make no hand gestures. The lighting would remain as a straw wash, all red gone at this point.Haemon would emphasise me and you to underline the fact he is make a direct comparison between himself and Creon. Haemon would change in approach right on the line But I can sometimes hear populate whisper. The word but here is a clea r discursive marker in the text, indicating a change. Also, Haemon begins to discuss how people see Antigones punishment as unjust. He would thus take a step back is if expecting an outburst from Creon, and emphasise words give care people and whisper to show the audience that the character aims to dissociate himself from the views.He would become more pleading as the speech progresses, let me beg you to have second thoughts and I beg you Father. This is again present he accepts inferiority, but also makes clear to the audience that he is against his fathers actions. The metaphors regarding the distress of stubborn things would be spoken with a degree of accusation regarding Creon Haemon would waitress at Creon when saying inflexible and refuses to indicate that there refer to Creon.At the end of the speech he says Take good advice when it is offered. This is a direct question to Creon, and I would have Haemon on one knee, clasping Creons hand at this point, to show his despera tion to the audience. In the ensuing stichomythia, I would appreciate Creon to increase in volume, pace and raise his voice at the end of each sentence. Also, I would want him to spit phrases like Youre a womans mouthpiece , whilst shaking his arms, palms clawed and facing up to show rage to the audience.Comparatively, I would instruct Haemon to remain calm, speaking in have gotled tones and a steady volume throughout, making few hand gestures. Haemon would kind of increase in cold contempt, by sharpening the sound of his vowels at the ends of sentences, and speaking in a low tone, and emphasising certain words. He would emphasise the word demented, but without raising the volume of his voice a striking deal. Also, at the end, when Haemon says this disgusting spectacle/ In company with a madman, are meet to it, I would want him to speak this calmly without varying his pace.He would say this emphasising disgusting spectacle and madman by raising pitch and volume a little. This would show the audience that he feels contempt toward Creon, but is above just shouting. Creon, on the other hand, would be virtually screaming Bring her out, the call, emphasising the word bitch by stressing the harsh vowel sound, and gesturing wildly towards the side entrance, as if indicating from where she should be brought. This would show the audience that Creon has lost his composure, and has lost control of his rage.The lighting would be red uplighting again on Creon only, to cast shadows across his face, whilst a blue gel, to mix with the straw wash, would be coming in from above. Overall, this should all contribute into presenting Haemon into an emotionally controlled, stable character, whereas Creon would appear as quite the opposite unreasonable, stubborn and emotionally volatile. The objective would be to present the characters as such, to encourage the audience to sympathise with Haemon, even empathise with him ideally, the audience besides would feel frustrated and contemptuous towards Creon.